![]() To achieve this accurately your monitoring setup also needs to be profiled so that the generated LUT takes into account your monitoring pipeline plus all the lab variables and all the qualities of the actual print stock. It accurately emulates the density and colour response of the print film, to give you an accurate preview on your grading monitor, prior to going to print. Print film emulationĪ print film emulation (PFE) LUT previews how your image will look when printed onto a print film stock. They can also be used to correct the output of a device, for example a monitor calibration LUT generated from profiled data.Īnother common use is to allow you to preview how your image will look when displayed on a different format or device. They can be creative, such as the teal and orange look or the thousands of other looks offered by the creative preset LUTs. They can be technical, for example converting a log image into Rec709. And that is what we are doing in the Color Space Transform node before the LUT.In simple terms, a look up table (LUT) translates one set of values into another set of values. In order to use our Kodak LUT, we’ll have to convert our digital footage into the color gamma space of the scanned footage. The scanned film footage comes in the color space gamma “Cineon Film Log”. Why “Cineon film log”? That is because the LUT is actually designed for scanned film footage.
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